Benjamin Paul Longer List of Publications

Celebrazione e autocritica: La Serenissima e la ricerca dell’identità veneziana nel tardo Cinquecento. Venetiana 14, edited by Benjamin Paul (Rome, 2014).

“’Convertire in se medesimo questo flagello’: autocritica del Doge Alvise Mocenigo nel bozzetto di Tintoretto per il dipinto votivo a Palazzo Ducale,” in Celebrazione e autocritica: La Serenissima e la ricerca dell’identità veneziana nel tardo Cinquecento. Venetiana 14, edited by Benjamin Paul (Rome, 2014), pp. 123-156.

“Les tombeaux des doges vénitiens: de l’autocélébration dans une République,” in Mémoire monarchique et la construction de l’Europe. Les Funérailles princières en Europe, XVIe-XVIIIe siècle. 2. Apothéoses monumentales, ed. Juliusz A. Chrościcki, Mark Hengerer, and Gérard Sabatier (Rennes, 2013), pp. 159-178.

“Ghosts of History,” in John Sparagana: Crowds & Powder (Chicago, 2013), pp. 3-10.

“Constructive Destruction: On Arturo Herrera’s Books,” in Arturo Herrera: Books (Chicago, 2013), pp. 3-6.

Nuns and Religious Reform in Early Modern Venice: the Architecture of the Benedictine Convent of Santi Cosma e Damiano and its Decoration from Tintoretto to Tiepolo, London, 2012.

"Auf Distanz," in Marc Bauer, ed. Roland Wäspe, Heidelberg 2011, pp. 55-60. (reprint of "Viewing Distance," Artforum International [January 2011], pp. 43-45.)

"'And the Moon has started to bleed': Apocalypticism and religious reform in Venetian art at the time of the Battle of Lepanto," in James Harper, ed. The "Turk" and Islam in the Western Eye, Aldershot, 2011, pp. 67-94.

"Augenhöhe," in Augenhöhe: Portraits und Reportagen von Harry Schnitger (ex. cat.), Murnau, 2010, pp. 3-11.

"Archaism and Pauline spirituality in Jacopo Tintoretto's Crucifixion for SS. Cosma e Damiano," in Miguel Falomir, ed. Jacopo Tintoretto: Proceedings of the International Symposium, Madrid, 2009, pp. 25-36.

"Not One but Three: The history of the construction of SS. Cosma e Damiano on the Giudecca," in Venezia Cinquecento, 32 (2007), pp. 41-75.

“Wolfgang Tillmans: still life, Tel Aviv” http://www.pixtura.org

“Mythos 1977. Zur Dokumentation der italienischen Autonomen- und Spontibewegung” in Springerin, Band XIII, Heft 3 (Summer 2007), pp. 54-55.

“’Erst hat man kein Glück und dann kommt auch noch Pech dazu’: Die gescheiterte Karriere des Jacopo Soranzo (1518-99) im Spiegel seines Grabmals,“ in Grab, Kult, Memoria. Studien zur gesellschaftlichen Funktion von Erinnerung, ed. by Carolin Behrmann, Arne Karsten and Philipp Zitzlsperger, Cologne, 2007, pp. 41-59.

“Tintoretto and the Church of San Benedetto in Venice,” in Mitteilungen des Kunsthistorischen Instituts in Florenz., Band 49, Heft 3 (2005), pp. 377-412.

"Venedigs ‘Sixtinische Kapelle’: Tintoretto und die Scuola Grande di San Rocco,“ Damals. Das Magazin für Geschichte und Kultur, 1 (2007), pp. 74-80.

"Who Killed the JAMs! Über Adbusting, Open Content und die jüngsten Kampagnen des britischen Künstlers James Cauty,“ in Springerin, Band XII, Heft 4 (Fall 2006), pp. 14-15.

“Identità e Alterità nella pittura veneziana al tempo della battaglia di Lepanto,” in Venezia Cinquecento, 29 (2005), pp. 155-87.

“Issues of Political Iconography: Clement VII’s Personal & Political Concerns in his Representation as Leo I in the Sala di Costantino.” In Coming about… A Festschrift for John Shearman. Cambridge, MA, 2001, pp. 267-75.


Reviews:

“Earthly Delights,” preview of the Veronese: Magnificence in Venice- exhibition in the National Gallery London in Artforum (January 2014), p. 123.

Book reviews of Alexander Nagel, Medieval  Modern. Art out of Time, London, 2012 and Amy Knight Powell, Depositions. Scenes from the Late Medieval Church and the Modern Museum, Cambridge, MA 2012, in Artforum (April 2013) ppg. 71-72.

"High on Life," exhibition review of "The Renaissance Portrait from Donatello to Bellini." Artforum International (February, 2012), pp. 93-94.

Book review of Hans Dieter Huber, “Paolo Veronese. Kunst als soziales System.” Renaissance Quarterly, vol. 60, number 2 (Summer 2007), pp. 545-47.

Book review of Arne Karsten, “Bernini. Der Schöpfer des barocken Roms.” Renaissance Quartely, vol. 60, number 1 (Spring 2007), pp. 178-80.

“Tüten in Riga,” Tip. Das Stadtmagazin, March 2007, p. 32.

Exh. review of “Felix Gonzalez-Torres.” Springerin, Band XIII, Heft 1 (Winter 2007).

Exh. Review of „36 x 27 x 10.“ Springerin, Band XII, Heft 2 (Spring 2006).

Exh. Review of “Joseph Beuys: Actions, Vitrines, Environments.“ Springerin, Band XI, Heft 1 (Spring 2005).

Exh. review of “Schrumpfende Städte.” Springerin, Band X, Heft 3 (Fall 2004).

Exh. review of “Moltitudini-Solitudini,” Springerin, Band IX, Heft 3 (Fall 2003).

Book review of Richard Cocke, “Paolo Veronese: Piety and Display in an Age of Religious Reform.” Journal für Kunstgeschichte (2003, Heft 1), pp. 45-9.

Book review of Erasmus Weddigen “Jacomo Tentor F. Myzelien zur Tintoretto- Forschung. Peripherie, Interpretation und Rekonstruktion.” Venezia Cinquecento, 24 (2002), pp. 187-97.

Book review of Tom Nichols “Tintoretto. Identity and Tradition.” Zeitschrift für Kunstgeschichte, 64 (2001), pp. 283-93.

Exh. review “Mirror’s Edge” Springerin, Band VI, Heft 4 (Dezember 2000-Februar 2001).

Exh. review “Freier Blick auf die Fruchtblase. ‘Spectacular Bodies’ in der Londoner Hayward Gallery.” Die Tageszeitung, Nr. 6332 (28. Dezember 2000).

Exh. review “Elizabeth Peyton: ’Tony’” Kunstforum International, Bd. 152 (Oktober/Dezember 2000).