News

We congratulate Giorgi "George"Papashvili, PhD Candidate and graduate assistant at the Zimmerli Art Museum, for his work as editor of the recent publication of Niko Pirosmanashvili: A Study of His Life and Art by the Unicorn Publishing Group (UK) in 2024. The book was compiled by an artist Tengiz Mirzashvili (1934-2008) and a graphic designer, Arkady Troyanker (1937-2025), and it includes many old and new contributions from art-historical and other backgrounds, and archival materials...

The American Academy in Rome announced today the winners of the 2025–26 Rome Prize, the rigorous competition supporting innovative fellows in the arts, humanities, and sciences. The Samuel H. Kress Foundation | Millicent Mercer Johnsen Rome Prize is awarded to Margo Weitzman to support her work in Renaissance & Early Modern Studies. The Rome Prize equips artists and scholars with the time, space, setting, and colleagues to explore and create in the singular city of Rome. The 35 recipients will...

Dr. Thomas DaCosta Kaufmann: “Modes and Approaches to Global Art History / Geohistory of Art” April 24th, 5:30–7:00 pm EST Graduate Studies Conference Room, Art Library 71 Hamilton St. Zoom registration link: https://tinyurl.com/AHGSO Although anti-globalization sentiments may now be on the rise, globalization has long been a buzzword and a subject of intense debate. In its most general sense, globalization refers to worldwide phenomena of exchange and communication. Noteworthy symposia, essays,...

Emma Oslé has been selected to receive the 2025 Outstanding Doctoral Student Award from the School of Graduate Studies (SGS). This is one of four extremely prestigious awards granted by SGS for excellence in doctoral research and scholarship across the disciplines.

  Julia Rose Katz is the 2025 Anthony M. Clark Rome Prize Fellow in Renaissance and early modern studies. She is also a PhD candidate in the Department of Art History at Rutgers University. Her research explores how early modern artists and restorers creatively reimagined damaged ancient sculptures, transforming them with new forms and meanings. Like Circe’s mythical magic, these interventions altered antiquities through inventive restorations that reflected contemporary politics, intellectual...

We are proud to announce that Kailtin Booher (PhD 20203) has been appointed the William and Sarah Ross Soter Associate Curator of Photography at the Columbus Museum of Art (CMA), where she will lead the museum’s efforts to steward, expand, and reinterpret its collection of photography and lens-based art, while building a rigorous and dynamic program of exhibitions relating to these media. She joins the musem after serving as the Beaumont and Nancy Newhall Curatorial Fellow in the Department of...

Early modern painting was the ultimate metamedium, capable of describing a vast array of objects on a two-dimensional plane. Or so it seems. Depictions of books, in particular, provide a locus for understanding painters’ nuanced relationships to tangible real-world things. This talk will investigate the verisimilitude of books in the art of Jan van Eyck and his contemporaries, relying on the newly launched Books as Symbols in Renaissance Art (BASIRA) database to compare and contrast. What is...

Artivism: Art History and Heritage in Global Conflict 15th Annual Art History Graduate Student Symposium Keynote speaker: Dr. Elisabeth Friedman. Associate Professor, Art History & Visual Culture, Illinois State University In times of warfare and political conflict, art inspires and comforts. Art challenges official narratives and humanizes violence. Art liberates, and expresses the inexpressible. For these reasons, artworks, museums, archaeology sites, and other heritage sites are routinely...

Oksana Semenik has been working to reclassify Ukrainian art she sees as wrongly identified as Russian, a campaign she conducted during her time at the Zimmerli Museum. Read more in The New York Times. ‘Decolonizing’ Ukrainian Art, One Name-and-Shame Post at a Time - The New York Times (nytimes.com)

Emma Oslé is the recipient of the Big 10 Academic Alliance/Terra Foundation Predoctoral Fellowship in American Art  Administered by: The Smithsonian American Art Museum Time period: 2024-2025 Academic Year Congratulations, Emma!

Sascha T. Scott, Modern Pueblo Painting: Colonization, Aesthetic Agency, and Indigenous Visual Sovereignty Scott is an associate professor of art history at Syracuse University, where she is also faculty in the Native American and Indigenous Studies Program. Prof. Scott is an award-winning scholar whose work on both Indigenous and settler art is framed by ethical imperatives and conceptual frameworks central to Indigenous studies. A New Foundation for Art History Fellowship will support the...

Negar Rokhgar, Crossroads of Mobility between Early Modern Tuscany and Persia 1453-1730 Negar Rokhgar is an Art Historian with a dual specialty in early modern Italy (1400-1800) and the arts of Islam (7th century to contemporary). Her research focuses on the material culture of exchanges in Eurasian networks between Islamic powers of the early modern period and Europe. Currently serving as a Visiting Assistant Professor of Art History at Pratt Institute in Brooklyn and a Lecturer at Rutgers...

Kassandra is currently an Adrienne Arsht Intern at The Metropolitan Museum of Art in the Department of European Sculpture and Decorative Art.  She is working on provenance research for a collection of over 300 medals the museum received, dating from 1450-1900. Additionally, she is also beginning research on a Mantuan roundel acquired by The Met in 2022.

While Professor Catherine Puglisi may have spent over three decades at Rutgers teaching undergraduate students about art, she has also spent that time perfecting the teaching of art history as an art form. She is at once an indefatigable mentor, an inspiring lecturer, a pedagogical innovator, a prodigious scholar, a constant source of encouragement, and a perpetually careful reader of student work. Whether it be in one of her small seminars on Baroque art, a mid-size class on Spanish painting, or a...

Celín Hidalgo, who graduated from Rutgers–New Brunswick in May, found common ground in two seemingly distant academic fields  A Cuban immigrant who came to the United States at age 11, Celín Hidalgo worried about her command of English. So, as a college student, she found herself gravitating toward the universal languages of art and math.  Hidalgo, a senior at Rutgers University–New Brunswick, graduated this spring with dual majors in astrophysics and art history from the School of Arts and...

  Erin Benay, PhD Rutgers art history, 2009, has been named Distinguished Scholar in the Public Humanities by the Provost's Office of Case Western Reserve University. This honor recognizes Professor Benay's contributions to the field and to the university in working to achieve "greater social impact" through disciplinary ingenuity and community collaboration. As part of her appointment, Prof. Benay will deliver an annual lecture showcasing her work to the broader CWRU and Cleveland community. To read...

Maria Garth receives Honorable Mention in the "Writing Photography" prize by the Deutsche Börse Photography Foundation and the Deutsche Gesellschaft für Photographie (DGPh) for her essay "Soviet Avant-Gardes and Socialist Realism. Women Photographers Bridging the Divide, 1930s–1960s." One of Germany's most prestigious awards for research and writing on Photography, the recipients were selected by an international jury of esteemed scholars. Garth's essay was published in the peer-reviewed...

As the Marketing Coordinator for Mills + Schnoering Architects, LLC, I am involved in the development and production process for proposals and presentations. This position allows me to exercise the analytical and writing skills that I cultivated as an Art History major. I am able to see a project from the Request For Proposal all the way through to nominating finished projects for awards. I coordinate with the staff to write, edit, and manage materials for proposals. I develop, edit, and...