Erik Thunø Long Publications and Professional Activities

 

Recent Publications:

The Apse Mosaic in Early Medieval Rome. Time, Network, and Repetition. Cambridge University Press. In press.

Decorating the Lord’s Table. On the Dynamics between Image and Altar in the Middle Ages, ed. Søren Kaspersen and Erik Thunø (Copenhagen: Museum Tusculanum Press, 2006)

Image and Relic. Mediating the Sacred in Early Medieval Rome, Rome: l’Erma di Bretschneider, 2002

The Miraculous Image in the Late Middle Ages and Renaissance, ed. E. Thunø and G. Wolf, Rome: l’Erma di Bretschneider, 2004

Articles:

“The Pantheon in the Middle Ages,” in The Pantheon. History, Meanings, Intentions, eds. Mark Wilson Jones and Tod Marder (Cambridge: Cambridge University Press) forthcoming.

“’Living Stones’ of Jersalem. The Triumphal Arch Mosaic in S. Prassede in Rome,” in Visuaql Constructs of Jersalem, eds. Bianca Kühnel et. A. (Turnhout: Brepols, 2013) forthcoming.

“Thessalonikian Weddings. The Miracle at Cana in Saint Nicolas Orphanos,” in Synergies in Visual Culture / Bildkulturen im Dialog, Festschrift für Gerhard Wolf, eds. Manuela De Giorgi, Annette Hoffmann, Nicola Suthor (Munich: Wilhelm Fink, 2013), 315-25.

"Inscription and Divine Presence. Golden Letters in the Early Medieval Apse Mosaic," Word and Image 27, 3 (2011): 279-91

"Inscriptions on Light and Splendor. From Saint-Denis to Rome and Back," in Inscriptions in Liturgical Spaces, eds. Kristin B. Aavitsland and Turid Karlsen Seim, Acta ad archaeologiam et artium pertinentia 24, n.s. 10 (2011): 141-59

“Looking at Letters. ‘Living Writing’ in S. Sabina in Rome,” Marburger Jahrbuch für Kunstwissenschaft 34 (2007): 19-41.

“The Golden Altar of St. Ambrose in Milan: Image and Materiality,” in Decorating the Lord’s Table. On the Dynamics between Image and Altar in the Middle Ages, ed. Søren Kaspersen and Erik Thunø (Copenhagen: Museum Tusculanum Press, 2006), 63-79

"Materializing the Invisible in Early Medieval Art: The Mosaic of Santa Maria in Domnica in Rome," in Seeing the Invisible in Late Antiquity and the Early Middle Ages, ed. Giselle de Nie et al., Turnhout: Brepols, 2005

“The Miraculous Image and the Centralized Church. Santa Maria della Consolazione in Todi,“ in The Miraculous Image in the Late Middle Ages and Renaissance, ed. E. Thunø and G. Wolf, Rome: l’Erma di Bretschneider, 2004, 29-57

“The Cult of the Virgin, Icons and Relics in Early Medieval Rome. A Semiotic Approach,” Acta ad Archaeologiam et Artium Historiam Pertinentia 17 (2004): 79-98

Decus suus splendet ceu Phoebus in orbe. Zum Verhältnins von Text und Bild in der Apsis von Santa Maria in Domnica in Rom,” in Die Sprache der Bilder. Zur Korrelation und Kontradiktion von Text und Bild im Wirkungskreis der Bibel, ed. B. Janowski and N. Zchomelidse, Stuttgart: Deutsche Bibelgesellschaft, 2003, 147-164

“Some Remarks on the Sta. Barbara Chapel at Ss. Quattro Coronati in Rome” Arte Medievale 10, 2 (1996): 15-22

“The Facade Mosaics of Santa Maria Maggiore in Rome”
Analecta Romana Instituti Danici 23 (1996): 61-82

Reviews:

Sehepunkte. Rezensionsjournal für die Geschichtswissenschaften: www.sehepunkte.de http://www.sehepunkte.de/: Beat Brenk, The Apse, the Image and the Icon. An Historical Perspective of the Apse as a Space for Images (Reichert Verlag: Wiesbaden, 2010)

CAA On-line Reviews (August 2007): Anne-Orange Poilpré, Maiestas Domini: Une image de l’Église en Occident (Ve–IXe siècle), Paris: Les Éditions du Cerf, 2005

Alessandro Tomei: Pietro Cavallini, Milano: Silvana, 2000 in Journal für Kunstgeschichte 5, 4 (2001): 309-31