Name/email
|
Degrees
|
Area
|
Dissertation/Advisor
|
Adrian Barr |
BA Victoria Univ.,MA Otago Univ. |
20c |
Archaeologies of the Avant-Garde: Moscow Conceptualism and the Legacy of Soviet Modernism - Sharp |
Eveline Baseggio |
BA, MA Univ.of Venice, Ca'Foscari |
Italian Renaissance |
McHam |
David Boffa |
Drew University |
Italian Renaissance |
Artistic Identity Set in Stone - McHam |
Catherine Boland |
Pace University |
Italian Renaissance |
|
Diana Bramham |
Wesleyan Univ. |
Art of the Americas |
-Sidlauskas |
Meaghan Bratichak |
Drew University |
Renaissance and Baroque Architecture |
-Marder |
Ellen Brueckner |
University of Southern California |
Italian Renaissance |
|
Jeremy Canwell |
Colorado College |
Modern and Contemporary European and American |
Mystics and Moderns: Dissident Art in Estonia from 1968 to Glasnost -
Sharp |
Patrick Coleman |
BA: Oberlin College MA: Case Western |
Ancient Greek |
Appropriation and Innovation in Archaec Lakonian Art - Small |
Shannon Connelly |
New York University |
German Modernism |
|
Kimberly Curtiss |
Muhlenburg College |
Art of the Americas |
Making Red Skins White: The Construction of Racial and Cultural
identity through Paintings and Photographs of the Native American 1800-1900
- Bellion |
Nicole DeAugustine |
Franklin and Marshall College |
CHAPS Program |
|
Jenevieve DeLosSantos |
Bucknell University |
19c American |
-Sidlauskas |
Michael DeNiro |
New York University |
Medieval |
|
Benjamin Eldredge |
University of Vermont |
Italian Renaissance |
|
Lisandra Estevez |
BA, MA: Rutgers |
Spanish Baroque |
The Image of the Painter in the Age of
Calderón de la Barca (1600-1681) - Puglisi |
Brooke Falk |
BA, College of Charleston |
Medieval |
-Weigert |
Kimberly Fisher |
Quinnipiac University |
18th and 19th Century American |
|
Susannah Fisher |
Michigan State University |
Medieval |
Materializing the Word: Early Medieval Book Covers - Thunø |
Francis Fletcher |
B.A. College of Wooster |
Italian Renaissance |
"Mantegna's Fictive Reliefs: Painting as Moral Philosophy and the
Humanist Language of Historical Inquiry in the Renaissance" - McHam |
Brenna Graham |
University of Kansas |
Italian Renaissance |
|
Olivia Gruber Florek |
Swarthmore College |
19c Europe |
Representations of Beauty: Empress Elisabeth ofAustria and the Visual
Culture of Femininity in Austria-Hungary, 1848-1918 - Sidlauskas |
Hilary Haakenson |
Boston College |
Late Medieval/Early Renaissance |
-McHam |
Cynthia Jacob |
BA, Vassar College; JD Yale |
Ancient |
|
Yelena Kalinsky |
Univ. of Chicago |
20c, Russian, performance |
"Collective Actions: Moscow Conceptualism, Performance, and theArchive,
1976-1995." - Sharp |
Lauren Kane |
Drew University |
Italian Renaissance |
|
Ann
M. Keen |
Kendall College of Art & Design |
20c Architecture |
Redefining Modernism: Monumentality and
Expressionism in Architecture of the Olympic Summer Games 1960-1976 -Yanni |
Catherine Kupiec |
Wshington University |
Italian Renaissance |
|
Allison Leigh-Perlman |
American University |
18c & 19c Russia |
|
Karen Lloyd |
University of Toronto |
Italian Baroque |
Grafted Lineages, Crafted Identities: Altieri Patronage and the Complexity of Kinship in Early Modern Rome; Marder |
Mary Manning |
Case Western Reserve |
19th Century French Art |
|
Olena Martynyuk |
National University of "Kyiv-Mogyla Academy", Kyiv, Ukraine |
20th Century Ukrainian, Russian |
|
Kira Maye |
Boston College |
Italian Renaissance |
|
Ljubomir Milanovic |
BA: Belgrade Univ.
MA: Vanderbilt
|
Byzantine, Medieval |
Visual Representations of the Translatio of Relics in the Middle Ages:
the Case of St.Stephen - St. Clair Harvey |
Gabriella Miyamoto |
Stanford Univ. |
Byzantine, Medieval |
The Arca Santa of Oviedo Recreating the Sancta Sanctorum though the
Typological Assimiliation of the Ark of the Covenant to a Christian Reliquary
Altar - Thunø |
Colette Moryan |
Washington Lee University |
Ancient |
|
Heather Nolin |
BA: Syracuse Univ.
MA: Syracuse, Florence |
Italian Renaissance |
Political Power and Religious Reform: Artistic Commissions at San Giorgio
in Braida, Verona 1400-1600 -McHam |
Alia Nour-Elsayed |
BA American University in Cairo; MA Seton Hall |
19c French Orientalism |
- Sidlauskas |
Colette Obzejta |
BA Villanova University |
18th and 19th Century American |
|
Gyung Eun Oh |
BA, MA: Ewha University, Seoul, Korea |
Modern/Contemporary |
-Zervigon |
Leigh-Ayna Passamano |
Pace University |
18th/19th Century |
|
Mieke Paulsen Bahmer |
BA,CSU, San Bernardino; MA UC Riverside |
Lste Antique, Early Medieval |
-St.Clair Harvey |
Robyn Radway |
University of Central Florida |
Medieval/Northern Renaissance |
|
Florence Quideau |
Hunter College |
19c Europe |
French Romantic Portraiture and Caricature on the July Monarchy, 1838-1848:
A Study of the Sculpture of David d'Angers, Danton-Jeune, Daumier and Preault
- Sidlauskas |
| Ricki Sablove |
B.A. Rutgers, Camden |
19th and 20th century architecture |
Study Abroad: American Architects and Their Travel
Impressions, 1852-1920- Yanni |
| Tuna Sare |
B.A. Bilkent University, Turkey |
Ancient Art and Anatolian |
Dress and Identity in Western Anatolian Art from the 6c to the 4c BCE -
Kenfield |
Kate Scott |
BA - Rochester Institute of Technology and Indiana University-Purdue University
Indianapolis |
20c and Contemporary American, Photography |
|
Andrew Scruggs |
East Tennessee State University |
Modern, Photography |
-Zervignon |
Kim Sels
|
George Washington Univ.
|
20c |
Assembling Identity: The Object-Portrait in American Art, 1917-1927
- Marter
|
Heather Shannon |
Oregon State University |
Modern, Photography |
-Sheehan |
Mary Shay Millea
|
BA, MA - Univ.of Colorado
|
Italian Renaissance |
Objects of Desire: The Many faces of Petrarch's Laura - McHam
|
Rebecca Shields
|
BA, MA - Univ.of Virginia
|
Italian Baroque |
|
Jennifer Simonelli
|
BA, Rutgers University
|
20th Century & Contemporary American |
-Sheehan
|
Suzan Slominski-Ford
|
Univ.of Illinois
|
Renaissance/Baroque |
Bernini's Tomb of Urban VIII in St.Peter's: A Study of Art and Papal
Power in the Context of the Counter-Reformation - Marder
|
Alisa Stanislow |
Rutgers University
|
CHAPS Program |
|
Carly Steinborn |
B.A. New York University
|
Medieval |
-Thunø |
Wendy
G.Streule |
B.A. Mary Washington
M.A. Syracuse |
Baroque |
"Objects of Desire: The
Production & Consumption of Erotic Images in 17th C. Holland" - Westermann |
Kathleen Sullivan |
Georgetown University
|
Italian Renaissance |
|
Emily Urban |
Univ.of Washington |
Italian Renaissance/Baroque |
The Sala Bologna in the Vatican Palace: Art and Astronomy in Counter
Revolution in Rome-
Marder |
Ivannia Vega-McTighe |
BA Boston College; MA Seton Hall |
Late Antique |
|
Carmen
Vendelin |
BA Univ.of Washington; MA School of Art Institute of Chicago |
Modern |
Androgyny and Gender Ambiguity in the Parisian Journals La Chat Noir and
Le Courrier Francais c. 1882-1895 - Sidlauskas |
| Annemarie Voss |
B.A. Michigan State University |
Contemporary |
Incremental Remedies: Women Artists and Ecology Since 1980 - Marter |
Christina Weyl |
Georgetown University |
American Art/Prints |
|
Sarah Wilkins |
BA - Vanderbilt MA - Pratt Inst. |
Italian Renaissance |
She Loved More Ardently Than the Rest: The Magdalen Cycles of Late Duecento
and Trecento Italy - McHam |
Melissa Yuen |
University of Notre Dame |
Southern Baroque |
|