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Jane Ashton Sharp
Associate Professor
Twentieth Century Art, Russian and Soviet Art, Soviet Nonconformist Art
Ph.D. Yale University
LIST OF PUBLICATIONS
Books and Catalogues:
Russian Modernism Between East and
West: Natalia Goncharova and the Moscow Avant-Garde,
1905-1914. (Cambridge University Press, forthcoming).
Evgenii Mikhnov-Voitenko: Selections
from the Norton and Nancy Dodge Collection of Nonconformist
Art from the Soviet Union. Exhibition Catalogue, Jane
Voorhees Zimmerli Art Museum, New Brunswick,
2001.
New Acquisitions from Central Asia:
Selections from the Norton and Nancy Dodge Collection of
Nonconformist Art from the Soviet Union. Exhibition
Catalogue, Jane Voorhees Zimmerli Art Museum, New Brunswick,
2001.
Realities and Utopias: Abstract
Painting in the Norton and Nancy Dodge Collection of
Nonconformist Art from the Soviet Union. Exhibition
Catalogue, Jane Voorhees Zimmerli Art Museum, New Brunswick,
2000.
With Michael Govan, The Great
Utopia: The Russian and Soviet Avant-Garde,
1915-32. Exhibition Catalogue, The Solomon R. Guggenheim
Museum (New York, 1992).
Chapters in Books, Refereed Articles
“Identity and Resistance: Abstract Painting in the Dodge Collection.”
Zimmerli Journal, vol. 1, no. 1 (September, 2003)
“K probleme bezobraznogo v
tvorchestve Natalii Goncharovoi.” N. Goncharova I M.
Larionov (Moscow: Nauka, 2001), 43-54.
"Natalia Goncharova: Lives of the
Artist." Amazons of the Russian Avant-Garde. John E.
Bowlt and Matthew Drutt, eds. Exhibition Catalogue, The
Solomon R. Guggenheim Museum (Berlin, 1999), 155-83.
Republished as the sole essay in Natalia Goncharova: A
Pioneer of the Russian Avant-Garde. Tel Aviv Art Museum,
Tel Aviv, 2000.
"The Russian Avant-Garde and Its
Audience: Moscow 1913." Modernism/Modernity.
Vol. 6, no. 3 (September 1999): 91-116.
"Becoming Avant-Garde: Audience
Provocation from the 'Donkey's Tail' Exhibition to the
'Target' Debate (Moscow 1912-13)." Biuletyn
Historii Sztuki. Polska Akademiia Nauk. Vol. LX, no. 1-2
(1998), 149-168.
"L'Exercice de la
répétition: les cycles et les
compositions sérielles de Nathalie Gontcharova de
1907-11." Nathalie Gontcharova et Michel Larionov dans la
collection du Musée national d'art moderne, Centre
Georges Pompidou. Jessica Boissel, ed. Catalogue de
l'exposition (Paris, 1995), 178-187. Republished in
Italian translation as “L’esercizio della
ripetizione: cicli e le composizioni seriali di Natalija
Goncarova dal 1907-al 1911,” Natalija Goncarova e
Mikhail Larionov (Milano: Fondazione Antonio Mazzotta,
1996).
"Redrawing the Margins of Russian Vangard
Art: Natalia Goncharova's Trial for Pornography in
1910." Sexuality and the Body in Russian Culture.
Jane Costlow, Stephanie Sandler, Judith Vowles, eds.
(Stanford: Stanford University Press, 1993, 1997),
97-123.
"The Critical Reception of the '0.10'
Exhibition: Malevich and Benua." The Great
Utopia: The Russian and Soviet Avant-Garde,
1915-32. Exhibition Catalogue, The Solomon R.
Guggenheim Museum (New York, 1992), 38-52. Also
published in German, Dutch, and Russian translations in the
exhibition catalogues of The Schirn Kunsthalle, Frankfurt;
The Stedelijk Museum, Amsterdam, and the State Tretiakov
Gallery, Moscow.
Images of Aleksei Remizov. Greta
Slobin, ed. Exhibition Catalogue, Mead Art Museum, Amherst
College, (Amherst, 1985).
"Sounds, Noises and Smells: Sensory
Experience in Futurist Art." The Futurist
Imagination: Word + Image. Anne Coffin Hanson,
ed. Exhibition Catalogue, Yale University Art Gallery
(New Haven, 1983), 16-29.
Essays
"Contemporary Russian Art and the Newly
Historical Russian Avant-Garde." Russian Constructivist
Roots: Present Concerns. Exhibition Catalogue,
University of Maryland Art Gallery (College Park, 1997),
14-17
"Sofiya Dymshits-Tolstaya." Dictionary
of Russian Women Artists. Delia Gaze, ed. (London:
Fitzroy Dearbourne, 1997), 481-483.
"Review Essay of Modern Art:
Practices and Debates, 4 volumes. (New Haven: Yale
University Press and the Open University, 1993)."
Art Bulletin (September 1995): 502-06.
Lectures
2001 (April) The Bruce Museum,
Connecticut. Hascoe Lecture Series. “Varieties of
Soviet Nonconformist Art.”
2001 (February) “The Question of
Pluralism in Soviet Art, 1932-1986.” Gustavus Adolphus
College, Minnesota. Invited lecturer:
2000 (November) Denver, American
Association for the Advancement of Slavic Studies.
Respondent to panel “Red Orient: Central Asia in
Russian and Soviet Visual Culture.”
2000 (September) London, International
Congress of Art Historians. Refereed lecture on panel, Other
Modernisms: “Neoprimitivism and Vsechestvo:
Russia’s Other Modernism.”
2000 (August) Almaty, Kazakhstan, Soros
Center for Contemporary Art. Invited lecture and seminar on
“Postmodernism and Other Trends in Art Criticism in the
U. S.”
2000 (April), New Brunswick, NJ, The Jane
Voorhees Zimmerli Art Museum. Respondent to symposium
“Looking Back on Modernism: An International
Perspective, 1890s-World War 1.”
2000 (March) University of California,
Berkeley, Program in Soviet and Post-Soviet Studies and the
Department of Slavic Languages and Literatures. Invited
lecture: “Modernism as Orientalism: Goncharova,
Zdanevich and the Caucasus.”
1999 (December) Institute of Design and
Architecture, Almaty, Kazakhstan. Invited lecture for the
Senior Design Studio: “Art History and the Art Market
in the U. S.”
1999 (October) State Institute for Art
Historical Research of the Russian Ministry of Culture,
Moscow. Refereed lecture at conference on N. S. Goncharova
and M. F. Larionov: “Bezobraznost’ in the Art of
Goncharova.”
1999 (June) Kasteev State Art Museum,
Almaty, Kazakhstan. Invited lecture at conference on The
Avant-Garde and Asia: “A Russian Tahiti? Larionov and
Goncharova’s Turn to the East.”
1998 (April) Princeton, Institute for
Advanced Study, School of Historical Studies: "Futurism and
Blasphemy: Varieties of the Modernist Informe in
Late-Imperial Russia, 1910-14."
1997 (November) American
Association for the Advancement of Slavic Studies, Seattle.
Refereed lecture on panel, Thought, Word, and Image in
Modern Russian Culture: "Vostokofil'stvo, or the Orientalism
of the Russian Avant-Garde."
1997 (February) Yale University Art
Gallery, New Haven. Invited lecture, Lydia Winston Malbin
Lectures in Honor of Anne Coffin Hanson, Conversations on
Pictorial Space: "Speculations on the Pictorial Space of the
Urban Signboard in Russian Avant-Garde Art."
1997 (February) College Art
Association, New York. Refereed lecture on panel,
Totalitarian Cultures and Their Audiences: “From
Donkey’s Tail to Target: The Audience Provocatrice for
Prerevolutionary Russian Vanguard Art.”
1996 (November) American
Association for the Advancement of Slavic Studies,
Boston. Chair of panel: Actresses and Others: Women in
Russian Theater.
1995 (November) Whitney Humanities
Center, Yale University, New Haven. Invited lecture on
panel, Futurism and Modernity: "Futurism and
Blasphemy: The Reception of Natalia Goncharova's
Religious Paintings, 1913-14."
1995 (June) Musée
national d'art moderne, Centre Georges Pompidou, Paris.
Invited lecture at conference, Nathalie Gontcharova et
Michel Larionov: "Nathalie Gontcharova: la
femme-artiste au sein de l'avant-garde russe."
1993 (October) Decatur House,
Washington D. C. Invited lecture for series organized
by Georgetown University, St.Petersburg on the Potomac
Russian Arts Festival: "Eclecticism and Originality in
the Art of the Russian Avant-Garde."
1992 (December) CUNY Graduate
Center, Department of Art History. Invited lecture:
"Organizing The Great Utopia: The Russian and Soviet
Avant-Garde, 1915-32."
1992 (March) Department of Women's
Issues (Frauenreferat), City of Frankfurt-am-Main. Invited
lecture: "Goncharova's Representations of the Female Nude
and Her Trial for Pornography in 1910."
1989 (September) Participant in
Bodies, Stories, Images: Respresentations of Sexuality
in Russian Culture, a symposium at Amherst
College.
1988 (November) American
Association for the Advancement of Slavic Studies, Honolulu.
Refereed lecture: "The Public Reception of Russian
Avant-Garde Art in the Year 1913."
1988 (July) Yale University Art
Gallery, New Haven: "Mass Media Imagery from Pollock to
Warhol."
1984 (November) American
Association for the Advancement of Slavic Studies, New York.
Refereed lecture: "Russian Art in America:
Katherine Dreier and the Société
Anonyme."
1984 (March) North-East Modern
Language Association, Philadelphia. Refereed lecture:
"The Landscape Garden and Golden Age Imagery in Osip
Mandel'stam's Kontsert na vokzale and Shum
vremeni."
1984 (April) Yale University Art
Gallery, New Haven: "The Futurist Imagination --An
Introduction to the Exhibition."
1983 (April) Yale Center for
British Art, New Haven: "The Transformation of the
English Landscape Garden in Russia: Tsarskoe Selo and
Pavlovsk."
Symposia Organized
"Russian Modernism: Methods and Meaning
in the Post-Soviet Era," Department of Art History,
University of Maryland College Park, and The Kennan
Institute for Advanced Russian Studies, Woodrow Wilson
Center for International Scholars, Washington D. C. (April
8-10, 1999).
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