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Catherine Puglisi
Professor and Chairperson
Baroque Art
Ph.D., New York University
Biographical Information:
Professor Catherine Puglisi specializes in Italian Baroque painting and sculpture.
Her comprehensive monograph Caravaggio (Phaidon Press) appeared in hardback in
1998, has been reissued in soft cover in 2000, and translated into Italian and
French. She has also written a monograph and catalogue raisonné on the
Bolognese painter Francesco Albani (Yale University Press, 1999). Albani in France
was the subject  of
an exhibition at the Musée du Louvre in Paris (Sept. 2000-Jan. 2001),
on which she collaborated in the planning and contributed an introductory essay
to the catalogue. Her publications include articles on Guido Reni, Carracci drawings,
and Venetian 18th-art, and she has contributed essays on Albani, and most recently
Paolo Veronese to exhibition and museum catalogues. She was a J. Clawson Mills
fellow at the Metropolitan Museum of Art for the 2005-06 academic year, where
conducted research on a collaborative book project with her coauthor William
Barcham on the Man of Sorrows in Venetian Art from ca. 1260-1650
Recent Publications:
Books
Caravaggio, London: Phaidon Press Ltd, 1998, hardback;
Soft cover edition, 2000; Italian edition, 2003, French edition, 2005
Francesco Albani, London: Yale University Press, 1999.
(subventions from Millard Meiss Publication Fund, Research Council of Rutgers
University, and Getty Grant Program).
Selected Articles
“Gli Esordi del Cristo Passo nell’arte veneziana e la Pala Feriale
di Paolo Veneziano,” (“The
Pala feriale and the Cristo passo in Early Venetian Art,” coauthored with
William Barcham,
Cose Nuove e Cose Antiche: Scritti per Monsignor Antonio Niero e Don Bruno Bertoli
, eds. F.
Cavazzana Romanelli, M. Leonardi, S. Rossi Minutelli, Biblioteca Marciana, Collana
di Studi,
X, Venice, 2006, pp. 403-429
“Caravaggio’s Life and Lives over Four Centuries,” book
chapter, in A Companion
to Caravaggio, ed. Genevieve Warwick, University of Delaware Press (in press).
“
Paolo Veronese and Barberini Rome,” in collaboration with William Barcham,
Saggi e
Memorie di Storia dell’Arte, 25 (2001), 57-87.
 “
Veronese: Cristo Sostenuto da due angeli,” in Caravaggio e I Giustiniani,
exh. cat., Rome,
Palazzo Giustiniani, Milan, 2001, 216-17.
“L’Albane et la France,” essay in L’Albane, Les dossiers
du Département des peintures, Musée
du Louvre, Paris, 2000, 13-33.
“Guido Reni's Pallione del Voto and the 1630 Plague,” Art Bulletin,
77 (1995), 402-12.
“Piazzetta's Glory of St. Dominic,” Arte Veneta, XLI, 1987, 210-17.
“
The Cappella di San Domenico in Ss. Giovanni e Paolo, Venice,” Arte Veneta,
40 (1986), 230-
38.
“
Two Newly Identified Drawings by Annibale Carracci,” Master Drawings, 20
(1984), 310-15.
“
Early Works by Francesco Albani,” Paragone, no. 381 (1981), 26-47.
Longer list of publications
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