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Home > Faculty > Full-time Faculty > Catherine Puglisi Professor and Chairperson Baroque Art Ph.D., New York University Biographical Information: Professor Catherine Puglisi specializes in Italian Baroque painting and sculpture. Her comprehensive monograph Caravaggio (Phaidon Press) appeared in hardback in 1998, has been reissued in soft cover in 2000, and translated into Italian and French. She has also written a monograph and catalogue raisonné on the Bolognese painter Francesco Albani (Yale University Press, 1999). Albani in France was the subject of an exhibition at the Musée du Louvre in Paris (Sept. 2000-Jan. 2001), on which she collaborated in the planning and contributed an introductory essay to the catalogue. Her publications include articles on Guido Reni, Carracci drawings, and Venetian 18th-art, and she has contributed essays on Albani, and most recently Paolo Veronese to exhibition and museum catalogues. She was a J. Clawson Mills fellow at the Metropolitan Museum of Art for the 2005-06 academic year, where conducted research on a collaborative book project with her coauthor William Barcham on the Man of Sorrows in Venetian Art from ca. 1260-1650 Recent Publications: Books Caravaggio, London: Phaidon Press Ltd, 1998, hardback; Soft cover edition, 2000; Italian edition, 2003, French edition, 2005 Francesco Albani, London: Yale University Press, 1999. (subventions from Millard Meiss Publication Fund, Research Council of Rutgers University, and Getty Grant Program). Selected Articles “Gli Esordi del Cristo Passo nell’arte veneziana e la Pala Feriale di Paolo Veneziano,” (“The Pala feriale and the Cristo passo in Early Venetian Art,” coauthored with William Barcham, Cose Nuove e Cose Antiche: Scritti per Monsignor Antonio Niero e Don Bruno Bertoli , eds. F. Cavazzana Romanelli, M. Leonardi, S. Rossi Minutelli, Biblioteca Marciana, Collana di Studi, X, Venice, 2006, pp. 403-429 “Caravaggio’s Life and Lives over Four Centuries,” book chapter, in A Companion to Caravaggio, ed. Genevieve Warwick, University of Delaware Press (in press). “ Paolo Veronese and Barberini Rome,” in collaboration with William Barcham, Saggi e Memorie di Storia dell’Arte, 25 (2001), 57-87. “ Veronese: Cristo Sostenuto da due angeli,” in Caravaggio e I Giustiniani, exh. cat., Rome, Palazzo Giustiniani, Milan, 2001, 216-17. “L’Albane et la France,” essay in L’Albane, Les dossiers du Département des peintures, Musée du Louvre, Paris, 2000, 13-33. “Guido Reni's Pallione del Voto and the 1630 Plague,” Art Bulletin, 77 (1995), 402-12. “Piazzetta's Glory of St. Dominic,” Arte Veneta, XLI, 1987, 210-17. “ The Cappella di San Domenico in Ss. Giovanni e Paolo, Venice,” Arte Veneta, 40 (1986), 230- 38. “ Two Newly Identified Drawings by Annibale Carracci,” Master Drawings, 20 (1984), 310-15. “ Early Works by Francesco Albani,” Paragone, no. 381 (1981), 26-47. Longer list of publications

Contact:
    Phone: 732-932-7041 Ext.19
    Email Dr. Puglisi

Office Hours:

Tuesdays 3:00pm-4:00pm By Appointment

Current Interests & Research:

·	Caravaggio and Roman Baroque Painting
·	Bolognese Painting
·	The Man of Sorrows in Venetian Art

Undergraduate Classes Taught:

·	Italian Baroque Painting and Sculpture
·	Spanish Art from El Greco to Goya
·	Painting in England from Holbein to Hogarth
·	Seminars on Portraiture, Art and Illusion, Art and Science, Caravaggio and Bernini

Graduate Classes Taught:

·	Italian Early Baroque Painting
·	Italian High Baroque Painting, Italian Baroque Sculpture
·	Problems in Baroque Art in Italy and Spain
·	Seminars on The Carracci, Caravaggio, Ancients and Moderns, Orazio and Artemisia Gentileschi

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