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Joan Marter
Professor II
Contemporary Painting and Sculpture
Ph.D., University of Delaware
LIST OF PUBLICATIONS
Books:
Off Limits: Rutgers University and the
Avant-Garde, 1957-63. New Brunswick: Rutgers University
Press and The Newark Museum, 1999 [as editor and
principal essayist]
American Sculpture in The Metropolitan
Museum of Art, Volume II, A Catalogue of Works by Artists
born between 1865 and 1885. New York: The Metropolitan
Museum of Art, 2000 [co-author].
Theodore Roszak, The Drawings.
Seattle: University of Washington Press, 1992.
Alexander Calder. New York:
Cambridge University Press, 1991. (reprinted 1993; revised
paperback edition, 1997)
Jose de Rivera
Constructions. Madrid: Ediciones JB, 1980.
(Introduction by Dore Ashton).
Vanguard American Sculpture
1913-1939. New Brunswick: Rutgers University, 1979
(with Roberta K. Tarbell and Jeffrey Wechsler).
Essays and Book Chapters
"Arcadian Nightmares: David Smith and Dorothy Dehner in Bolton Landing," in
Reading Abstract Expressionism: Context and Critique edited by Ellen Landau,
Yale University Press, 2005
Essays on Alexander Calder (v.4, 192)
Dorothy Dehner (v.6, 350-51), Jose de Rivera (v.6, 471)
Malvina Hoffman (v.10, 944-46) Gaston Lachaise (v.13, 13-14)
Louise Nevelson (v.16, 309-11) Theodore Roszak (v.18,
930-32) David Smith (v.20, 158-59) Abastenia St. Leger
Eberle (v.7, 272) Gertrude Vanderbilt Whitney (v.23,
300-03). In American National Biography. New York and
Oxford: Oxford University Press, 1999.
Essay on Alexander Calder (band 15, 563).
In Allgemeines Kunstlerlexikon. K. G. Saur Verlag,
Munchen, Leipzig, 1997.
Essay on Dorothy Dehner (v.1, 437-40). In
Dictionary of Women Artists. London: Fitzroy Dearborn
Publishers, 1997.
Sculpture: after World War I (v.31,
612-15) and essays on Alexander Archipenko (v.2, 310-11)
Alexander Calder (v.5, 422-24) Jose de Rivera (v.8, 77)
and Ibram Lassaw (v.18, 813-14). In The Dictionary of
Art. London: Macmillan Publishers, 1996.
Essays on works by Alexander Calder.
In A Gallery of Modern Art at Washington University
in St. Louis. St. Louis: Washington University Gallery,
1994.
Essay on Alexander Calder. In Joann
Prosyniuk, ed., Modern Arts Criticism, volume
2. Detroit: Gale Research Press, 1992.
"Sculpture and Painting." In Clark,
Robert Judson, David De Long, Martin Eidelberg et al. Design in America: The Cranbrook Vision 1925-1950,
pp.237-264; 326-329. New York: Abrams,
1983.
Essays on Alexander Calder, Ibram Lassaw,
Isamu Noguchi, and Theodore Roszak. In Abstract Painting
and Sculpture in America: 1927-44, edited by John R.
Lane and Susan C. Larsen, pp.59-62; 182-83; 202-03; 311-13.
New York: Abrams, 1983.
"Contemporary American Art at the
Academy." In Bolger, Doreen, Richard Boyle, Frank Goodyear
et al. In This Academy, The Pennsylvania Academy of the
Fine Arts, pp.229-258; 310; 316. Washington, D.C.:
Museum Press, 1976.
Essays in Museum Publications
Dorothy Dehner's untitled, 1951 and
Dance, 1957 in American Twentieth-Century Watercolors at the
Munson-Williams-Proctor Arts Institute, pp. 108-09;114-115;
123. New York: Munson-Williams-Proctor Arts Institute,
2000.
"Identity Crisis: Women Artists of the
1950s," In Women and Abstract Expressionism, Painting and
Sculpture 1945-1959, Mishkin Art Gallery, Baruch College,
City University of New York, 1997, pp. 3-8.
"Ages of Discovery: The Women Artists
Series at Douglass," Twenty Five Years of Feminism;
Twenty-Five Years of Women's Art: Women Artists Series,
1971-1996, Rutgers University, 1996, pp. 1-2.
"Moderne skulptur og Alexander Calder:
Laeremester i bevaegelse [Contemporary Sculpture and
Alexander Calder: Mentor in Motion] in Alexander Calder,
Louisiana Revy (Humlebaek, Denmark: Louisiana, Museum of
Modern Art, 1995): pp. 78-83.
"Spatial Matters: Sculpture from the
Collection," Montclair Art Museum, Montclair, New Jersey,
1996, pp. 3-4.
Dorothy Dehner, Sixty Years of Art,
Katonah Museum of Art, New York;. Seattle: University of
Washington Press, 1993, pp. 4-15.
"Sal Romano, Le installazioni cinetiche
d'acqua," In Nel Piu Ampio Cerchio, Centro Museografico
Dipartimento Arti Visive, Catanzaro, 1991, n. p.
Dorothy Dehner, Journeys, Dreams, and
Realities, Baruch College Gallery, New York, 1991, pp.
3-5.
Salvatore Romano, Installation with
Water, The Sculpture Center, New York, September-October,
1990.
"Myth and Metaphor, The Art of Anne and
Patrick Poirier." In Wandering Into Memory: Sculpture
by Anne and Patrick Poirier. Storm King Art Center, New
York, 1989, n. p.
"Peter Stroud: Recontextualized
Abstractions." In Peter Stroud, Retrospective Exhibition.
New Jersey State Museum, Trenton, 1988, n. p.
"Carl Milles in America." In Carl
Milles. Organized by Millesgarden, Stockholm.
Circulated by The Trust for Museum Exhibitions, Washington,
D. C., 1988, pp. 6-12.
"Twenty-fifth Year of the MFA Program in
the Visual Arts." In MFA/87 Mason Gross School of the Arts,
Rutgers University, 1987, n. p.
Alexander Calder: Artist as Engineer,
Bakalar Sculpture Gallery, List Visual Arts Center,
Massachusetts Institute of Technology, 1986, n.
p.
"Carl Milles and His Students at
Cranbrook." In Ten American Sculptors, Carl Milles' Students
at Cranbrook, Millesgarden, Stockholm, Sweden, 1986,
pp. 7-20.
"Alexander Archipenko: Themes and
Variations." In Alexander Archipenko: Drawings
Reliefs, Constructions. Edith C. Blum Art Institute, Bard
College Center, 1985, pp.11-20.
Geoffrey Hendricks: Early Sky, Late Sky
Paintings, Environment, Drawings, New Jersey State Museum,
Trenton, 1984, n. p.
Dorothy Dehner and David Smith: Their
Decades of Search and Fulfillment, Zimmerli Art Museum,
Rutgers University, 1984, pp. 4-19.
Beyond the Plane: American Constructions
1930-1965. New Jersey State Museum, Trenton, 1983,
pp. 7-20.
John Goodyear, Kinetic Paintings, Slusser
Gallery, University of Michigan, Ann Arbor; and New Jersey
State Museum, Trenton, 1981, n. p.
Professional Journals
"Joan Mitchell Paintings," in the Woman’s Art Journal 25
(Spring/Summer 2004).
" The Engineer Behind Alexander Calder's
Art," Mechanical Engineering 120 (December 1998):
52-57.
"The Legacy of Alexander Calder,"
Sculpture 17 (July/August 1998): 30-35.
"Joan Semmel's Nudes: The Erotic Self and
the Masquerade," Woman's Art Journal 16 (Fall/Winter
1995): 24-28.
"The Ascendancy of Abstraction for Public
Art: The Monument to the Unknown Political Prisoner
Competition," Art Journal 53 (Winter 1994):
28-36.
Postwar Sculpture Re/viewed," editorial
statement for Sculpture in Postwar Europe and America,
1945-59, Art Journal 53 (Winter 1994):
20-22.
"Recollections of New Images of Man: An
Interview with Peter Selz," Art Journal 53 (Winter
1994): 65.
"World War II: Reverberations," Art
Journal 53 (Winter 1994): 6-14 (with Mona
Hadler).
"Nature Redux: Recent Reclamation
Projects," Sculpture 13 (November-December 1994):
30-33.
"Then and Now: Recognition of Women
Artists Since 1970," The Journal of the Rutgers
Universities Libraries 54 (June 1992): 24-27.
"Collaborations: Artists and Architects
on Public Sites," Art Journal 48 (Winter 1989):
315-320.
"Paul Kelpe and Constructivism in
America," Kresge Art Museum Bulletin III (1988):
26-31.
"Strategies for Women in Art," Women's
Studies Quarterly XV (Spring/Summer 1987):
51-53.
"Athena Tacha's Sculpture: Landscape
Transformed," Sculpture (July/August 1987):
12-15.
"Theodore Roszak's Futuristic
Visions," Drawing IX (May-June 1987):
1-4.
"Confrontations: The Paintings of Selina
Trieff," Arts Magazine 60 (Summer 1986):
51-53.
"Contradictory Worlds: The Art of Zigi
Ben-Haim," Arts Magazine 60 (November 1985):
102-103.
"Artpark: Site Installations in
Retrospect," Arts Magazine 59 (January 1985):
132-134.
"Theodore Roszak's Photograms: In Light
of the Bauhaus," Arts Magazine 59 (November
1984): 120-125 (co-author).
"Nancy Holt's `Dark Star Park,' " Arts
Magazine 59 (October 1984): 137-139.
"Joan Semmel's Portraits: Personal
Confrontations," Arts Magazine 58 (May 1984):
104-106.
"Salvatore Romano's Water
Sculptures," Arts Magazine 58 (November
1983): 122-125.
"Constructivism in America: The 1930s,"
Arts Magazine 56 (June 1982): 73-80.
"Narrative Paintings, Language, and Ora
Lerman's Trilogies," Arts Magazine 56 (May 1982):
90.
"Dorothy Dehner," Woman's Art
Journal I (Fall 1980/Winter 1981): 47-50.
"Jose de Rivera's Constructions in Space
and Time," Arts Magazine 55 (November 1980):
142-146.
"Theodore Roszak's Early Constructions:
The Machine as Creator of Fantastic and Ideal Forms,"
Arts Magazine 54 (November 1979): 110-114.
"Three Women Artists Married to Early
Modernist: Sonia Delaunay-Terk, Sophie Taeuber-Arp, and
Marguerite Thompson Zorach," Arts Magazine 54
(September 1979): 88.
"Alexander Calder's Stabiles: Monumental
Public Sculpture in America," The American Art Journal
XI (July 1979): 75-85.
"Robert Beauchamp: Haunting
Images," Arts Magazine 53 (February 1979):
146-147.
"Alexander Calder: Cosmic Imagery and the
Use of Scientific Instruments," Arts Magazine
53 (October 1978): 108-113.
"Alexander Calder at the Art Students
League," American Art Review IV (May 1978):
54-61.
"Alexander Calder: Ambitious Young
Sculptor of the 1930s," Archives of American Art
Journal l6 (1976): 2-8.
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