|
Rona Goffen
Board of Governors Professor
Italian Art, 1200-1600
Ph.D., Columbia University
LIST OF PUBLICATIONS
Books:
The Calouste Gulbenkian Museum,
Lisbon (Museums Discovered), New York, 1982. (Portuguese
edition, Lisbon, 1983).
Piety and Patronage in Renaissance
Venice: Bellini, Titian, and the Franciscans, Yale
University Press, New Haven and London, 1986. (Revised
paperback edition, Yale University Press, New Haven
and London, 1990) (Italian edition, Marsilio Editori,
Venice, 1991).
Spirituality in Conflict: Saint
Francis and Giotto’s Bardi Chapel, The Pennsylvania
State University Press, University Park and London, 1988.
(Chapter 4, Part 2, anthologized in Giotto and the World of
Early Italian Art: An Anthology of Literature, vol. 3,
Giotto, Master Painter and Architect: Florence, ed. Andrew
Ladis, Garland Publishing, Inc., New York and London, 1998,
179-205).
Giovanni Bellini, Yale University
Press, New Haven and London, 1989. (Second Printing, 1994)
(Italian edition, Federico Motta Editori, Milan,
1990).
Titian’s Women, Yale
University Press, New Haven and London, 1997.
Renaissance Rivals: Leonardo, Raphael,
Titian, Michelangelo, New Haven and London, Yale
University Press, fall 2002.
Renaissance Women: Art and Life in
Italy, 1300-1600, to be published by Yale University
Press.
Fathers of Invention (The
Rand Lectures), to be published by the University of North
Carolina Press.
Books,
co-authored:
Rona Goffen and Giovanna Nepi
Scirè, Il colore ritrovato: Bellini a Venezia,
exh. cat., Gallerie dell’Accademia, Venice, September,
2000; second printing, October, 2000.
Books,
edited:
Rona Goffen, Marcel Tetel, and Ronald
Witt, eds., Life and Death in Fifteenth-Century
Florence, Duke University Press, Durham, N.C.,
1989.
Editor and contributing author,
Titian’s "Venus of Urbino” Cambridge
University Press, New York and Cambridge, 1997. (Second
printing, 2000).
Editor and contributing author,
Masaccio’s “Trinity”, Cambridge
University Press, New York and Cambridge, February,
1998.
Articles & Book Chapters
“Icon and Vision: Giovanni
Bellini’s Half-Length Madonnas,” Art
Bulletin 57 (1975): 487-518.
“A Madonna by Lorenzo
Lotto,” Bulletin of the Museum of Fine Arts,
Boston 76 (1978): 34-41.
“Nostra Conversatio in Caelis
Est: Observations on the Sacra Conversazione in the
Trecento,” Art Bulletin 61 (1979):
198-222.
"Masaccio’s Trinity and the
Letter to Hebrews,” Memorie Domenicane, N.S. 11
(1980): 489-504. (A revised version is reprinted in
Masaccio’s “Trinity”, 1998, pp.
43-64.)
“Early Italian School, XIV-XV
Centuries,” in Small Paintings of the Masters
(New York, 1981), Volume 1 pp. 1-32.
“Italian School, XVII-XVIII
Centuries,” in Small Paintings of the Masters
(New York, 1981), Volume 2, pp. 167-81.
“Carpaccio’s Portrait of a
Young Knight: Identity and Meaning,” Arte
veneta 37 (1983): 37-48.
“A Bonaventuran Analysis of
Correggio’s Madonna of St. Francis,”
Gazette des Beaux-Arts 103 (1984): 11-18.
“Giovanni Bellini and the
Altarpiece of St. Vincent Ferrer,” in
Renaissance Studies in Honor of Craig Hugh Smyth
(Florence, 1985), Volume 2, pp. 277.
“Bellini’s Altarpieces, Inside
and Out,” Source 5 (1986): 21-28.
“Friar Sixtus IV and the Sistine
Chapel,” Renaissance Quarterly 39 (1986):
218-62.
“Bellini, San Giobbe and Altar
Egos,” Artibus et Historiae 7 (1986):
57.
“Renaissance Dreams,”
Renaissance Quarterly 40 (1987): 68.
“Bellini archeologo,” in
Venezia e archeologia, ed. Gustavo Traversari
(Venice, 1990), pp. 521-31.
“Tiziano, i donatori, e soggetti
religiosi,” in Tiziano, exh. cat., Ducal Palace,
Venice (Venice, 1990), pp. 85. (English edition:
“Titian, Donors, and Religious Subjects,” in
Titian, exh. cat., National Gallery of Art,
Washington, D.C. (Venice, 1990), pp. 85.)
“Piety and Politics in the Art of
Giovanni Bellini,” in Art and Politics in Late
Medieval and Early Renaissance Italy, ed. Charles M.
Rosenberg (Notre Dame and London, 1990), pp.
220-26.
“Bellini’s Christ Crowned with
Thorns: The Artist’s Epitaph,” Nationalmuseum
Bulletin 15 (1991): 137-50.
“Giovanni Bellini’s Nude
with Mirror,” Venezia Cinquecento 1
(1991): 185-202.
“Titian’s Sacred and Profane
Love and Marriage,” in The Expanding Discourse:
Feminism and Art History, ed. N. Broude and M.D. Garrard
(New York, HarperCollins, 1992), pp. 111-25. (A longer
version is published in Titian 500,
1994.)
“Bellini disegnatore e la sua
attività giovanile,” and catalogue entries in
Carpaccio, Bellini, Tura, Antonello, e altri restauri
quattrocenteschi della Pinacoteca del Museo Correr, exh.
cat., ed. Attilia Dorigato (Milan, 1993), pp. 17-24,
26-49.
“Titian’s Sacred and Profane
Love: Individuality and Sexuality in a Renaissance
Marriage Picture,” in Titian 500 (Studies in the
History of Art, 45; Center for Advanced Study in the Visual
Arts, Symposium Papers 25 [Washington, D.C., 1994]),
pp. 121-44. (A shorter version is anthologized in The
Expanding Discourse, 1992.)
“The Problematic Patronage of
Titian’s Venus of Urbino,” Journal of
Medieval and Renaissance Studies 24 (1994): 301-21. (A
revised version is anthologized in Titian’s
“Venus of Urbino”, 1997, pp. 63.)
“Paolo Veneziano e Doge Andrea
Dandolo: una nuova lettura della Pala
Feriale,” in La Pala d’Oro, ed. Hans
R. Hahnloser and Renato Polacco (Venice, Canal &
Stamperia Editrice, 1994), pp. 173-84. (Another version is
published in San Marco: Aspetti storici ed
agiografici, 1996.)
“Early Renaissance Italian Panel
Paintings,” in The Taft Museum: European and
American Paintings, ed. Edward Sullivan (New York,
1995), vol. 1, pp. 131-34.
“La donna nell’arte di Tiziano
e nella società veneta nel primo ‘500: Due
mogli, due madri, e alcune fantasie,” in Tiziano
Vecellio: Amor Sacro e Amor Profano, ed. Maria Grazia
Bernardini (Milan, 1995), pp. 141-53.
“Adultery, Madness, and Marital
Misery in Titian’s Paduan Frescoes,” in
Desire and Discipline: Sex and Sexuality in the Premodern
West, ed. Jacqueline Murray and Konrad Eisenbichler
(Toronto, 1996), pp. 217-44.
“Il paliotto della Pala d’oro
di Paolo Veneziano e la committenza del Doge Andrea
Dandolo,” in San Marco: Aspetti storici ed
agiografici, ed. Antonio Niero, Convegno Internazionale
di Studi (Venice, 1996), pp. 313-33.
“Introduction” and
“Sex, Space, and Social History in Titian’s Venus
of Urbino,” in Titian’s “Venus of
Urbino”, ed. Rona Goffen (Cambridge, Eng., and New
York, 1997), 1-22, 63.
“Introduction: Masaccio’s
Trinity and the Early Renaissance” and
“Masaccio’s Trinity and the Letter to
Hebrews,” in Masaccio’s
“Trinity”, ed. Rona Goffen (Cambridge, Eng.,
and New York, 1998, 1-32, 43-64.
“Bonaventure’s Francis”
(Spirituality in Conflict: Saint Francis and
Giotto’s Bardi Chapel, Chapter 4, Part 2), in Giotto
and the World of Early Italian Art: An Anthology of
Literature, vol. 3, Giotto, Master Painter and
Architect: Florence, ed. Andrew Ladis (New York and London,
1998), 179-205.
“Lotto’s Lucretia,”
Renaissance Quarterly 52 (1999): 742-81.
“Valicando le Alpi: arte del
ritratto nella Venezia del Rinascimento,” in
Il Rinascimento a Venezia e la pittura del Nord ai tempi
di Bellini, Dürer, Tiziano, exh. cat., Palazzo
Grassi, Venice (Milan, 1999), 114-131;
"Crossing the Alps: Portraiture in
Renaissance Venice,” in Renaissance Venice and the
North: Crosscurrents in the Time of Dürer, Bellini, and
Titian, exh. cat., Palazzo Grassi, Venice (Milan, 1999),
114-131.
“Mary’s Motherhood According to
Leonardo and Michelangelo,” Artibus et Historiae
20 (1999): 35-69.
“Giovanni Bellini: Il Rinascimento
visto da Rialto,” Art Dossier fall 2000 (in
press).
"Giovanni Bellini: il Rinascimento visto
da Rialto," in Il colore ritrovato: Bellini a
Venezia, pp. 3-23.
"La _Lucrezia_ di Lorenzo Lotto," Venezia
Cinquecento 10 (2000): 95-135.
"Signatures: Inscribing Identity in
Italian Renaissance Art," Viator 32 (2001):
329.
|
