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Home > News & Events > Newsletters >

Newsletter 2005

Vol. 7, n. 1 - February 2005

Notes from the Chair
John Beldon Scott
Xander Van Eck
Erik Thuno
Rona Goffen
Faculty News
Graduate News
Report from AHGSO
Undergraduate News
Alumni News
Jack Spector's Retirement Party

What's Going On Now?
A Report from the Art History Graduate Student Association

The graduate students in the Department of Art History are busy this year with the usual papers, presentations and grant proposals. Additionally, as part of the Art History Graduate Student Organization, various committees have organized and are presenting the Outside Speakers Lecture Series and the Faculty and Graduate Symposia. Also, the graduate students continue to edit and publish the Rutgers Art Review, the country’s oldest periodical of graduate scholarship in art history, while many others sit on the publication's editorial board. These events have become your legacy at Rutgers University.

The Outside Speakers Lecture Series is a graduate student initiated, planned and executed event that brings prominent and diverse art historians and artists from the tri-state region and further afield to the Zimmerli Art Museum to present their most recent research to the Rutgers community. This year's series began in October, 2004 with interdisciplinary artist, curator and writer Coco Fusco. She addressed issues of cultural politics in her multimedia art and language performances in her paper entitled "Visualizing Race in American Photography". Upcoming speakers include Dr. Alexander Nagel who will present his paper entitled "Spatio-temporal Disruptions: Byzantine Icons and Renaissance Art" on February 24, 2005. Dr. Nagel is Research Chair and Associate Professor at the University of Toronto and currently an Andrew W. Mellon Professor at the Center for Advanced Study in the Visual Arts (CASVA) in Washington D.C. Dr. Edward Sullivan, Professor of Art History at the Institute of Fine Arts at New York University, will present his paper entitled "Perceived Realities: Art and the Object in the Americas" on April 7, 2005. Dr. Sullivan specializes in the Art of Latin America and 19th and 20th century art of the Iberian Peninsula. He recently curated the exhibition "Brazil: Body and Soul" at the Guggenheim Museums in New York and Bilbao, Spain and edited the accompanying book. Currently, he is writing a book on the history and theory of the representation of objects in Latin American art. Rounding out the Series will be Dr. Keith Sciberras. He will present his paper entitled "Caravaggio, Knight of Malta: Virtuosity honored, Chivalry disgraced" on April 28, 2005. Dr. Sciberras is a prominent Caravaggio scholar and Professor at the University of Malta. The Outside Speaker Lecture Series was begun in the early 1980s and is open to the general public and we, the Art History graduate students, would like to extend an invitation to all alumni and other interested parties to join us at these lectures and engage in further discussion.
Four Rutgers art history faculty were invited by the graduate students to present the fruits of their current research endeavors at the Faculty Symposium, which took place on September 30, 2004. Dr. Sarah Brett-Smith, specialist in African art, presented her paper "The Knowledge of Women". Dr. Angela Howard, an Asian art specialist presented "Miracles and Visions Among the Monastic Communities of Kucha, Xinjiang". Dr. Erik Thunø, a Medievalist and new to the faculty in Fall 2004, presented his paper entitled "The Miraculous Image and the Urban Space: Santa Maria della Consolazione in Todi". Dr. Carla Yanni, whose specialty is 19th and 20th century architecture in Europe and the United States, completed the program with her paper entitled “The Development of the Cottage Plan for Insane Asylums in the United States.”

The Graduate Symposium was recently held on February 8, 2005. Three graduate students presented twenty-minute papers focusing on their most recent research to an audience of their peers, departmental faculty, and friends. Erin Benay, a second-year graduate student specializing in Italian Baroque art presented her paper entitled “Depicting Doubt, Invoking Belief: Franciscan Renewal and the Doubting Thomas.” Heather Nolin, a third-year graduate student who recently passed her qualifying examinations and specialized in Italian Renaissance art, presented her paper entitled “Envisioning Sacrifice and Salvation: Paolo Veronese's Martyrdom of St. George.” Kim Sels, a first-year graduate student specializing in modern art presented her paper entitled “Brancusi and Minimalism: Unified Objects.”
Rutgers Art Review is the scholarly journal of graduate research in the history of art and related fields, edited and published annually by Rutgers art history graduate students. Subscribers include many of the finest academic, museum and public libraries in North America and Europe including the National Gallery of London, the Bibliotheca Hertziana in Rome and libraries at Harvard, Princeton, and Yale. Now in its twenty-second year, Rutgers Art Review remains dedicated to presenting the finest original research by current graduate students. Published articles are selected from a large group of submissions to each issue, received from students in graduate programs in the United States and abroad.

Articles published in Rutgers Art Review reflect the broad spectrum of inquiry characteristic of art historical research. With topics as diverse as Greek vase painting, contemporary photography, Mayan architectural sculpture, medieval manuscript illumination, Islamic landscape architecture, patronage and collecting and the AIDS discourse, papers published in Rutgers Art Review illuminate the production, function and reception of art from five continents over nearly 2500 years. Additionally, most issues contain an interview with an art historian whose work represents a significant, often seminal, contribution to the field. In keeping with the increasingly interdisciplinary nature of art historical scholarship, the most recent Call for Papers was greatly expanded, inviting submissions from Classics, Medieval Studies, Theological Studies and Gender Studies programs. Each of these was represented among the nearly seventy papers received for Volume 22, submissions reflecting the importance of visual culture to many fields of academic inquiry.

As one of the alumni/a of the Rutgers University Department of Art History, we know you can appreciate the enormous amount of time and energy expended by the graduate students to continue these traditions, events and publications. Over the past year, our usual source of funding for these projects and events has been radically reduced, leaving the Art History Graduate Student Association and Rutgers Art Review editors scrambling for funding. The future of these initiatives is in danger of being compromised. Rather than hanging our heads and settling for a diminished product, the current graduate students are engaging in an aggressive fund-raising campaign to ensure the continuing quality of the Outside Lecture Series and the Rutgers Art Review. We hope you recognize their value to the Art History department, the community, the current students and yourselves. They are just as important to us as they were to you at Rutgers University.

With this in mind, we are making an appeal to all Rutgers University Art History alumni. We hope you will help by giving a little something back. Please make a donation to the Art History Graduate Student Fund and/or the Rutgers Art Review and help keep the departmental lectures and publications at their current level of excellence. By giving you are contributing to the life of the Department of Art History; you are encouraging the graduate students in their academic pursuits and making departmental events, the Outside Lecture Series and publication of the Rutgers Art Review possible. Ultimately, you will be helping to augment the Department of Art History's prestige in the Rutgers University, museum and art historical communities. These events are a legacy and we are committed to their continuation.

Thank you in advance for your generous contribution.

Best regards,

Heather R. Nolin
Tim McManus
Co-Presidents, Art History Graduate Student Organization

 

 

William the Silent

Department of Art History
Voorhees Hall
71 Hamilton Street
New Brunswick, NJ 08901
Tel: 732-932-7041
Fax: 732-932-1261

Catherine Puglisi, Chairperson

Erik Thunø , Undergraduate Director

Susan Sidlauskas, Graduate Program Director

Cathy Pizzi, Department Administrator

Geralyn Colvil, Student Coordinator







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Last Updated: 04/01/2005