Is photomontage as an historical inquiry, an object of research and a contemporary practice exhausted, after having powered the postmodern critique of photography and a profound rethinking of the historical avant-garde? Have this critical inquiry and pictorial form run their course, or have new ways to discuss and engaged in the practice emerged?
The afternoon symposium and roundtable will address these questions by calling on the expertise of a range of scholars and artists. The participants are:
More information on the event will be posted in August.