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Prospective Students

Diego Atehortua

Diego Atehortua, an art history major in the School of Arts and Sciences, Rutgers-New Brunswick, is the first Rutgers student to win a Beinecke Scholarship, and one of only 20 students in the United States to receive one in 2017.

CROP 1X2 ID17 Diego Atehortua 07202

Majors in Art History Learn a Visual Language

Diego Atehortua’s dream is to earn his Ph.D. in Latin American art.

Diego Atehortua is fluent in two languages, but he studies art history because he knows there are ideas and emotions that can’t be adequately conveyed in a spoken or written tongue.

“I think art has the power of making sense of this complex and contradictory world we live in,” says Atehortua, an art history major at Rutgers University-New Brunswick’s School of Arts and Sciences.  “It makes things visual and more tangible. And it doesn’t have to be permanent; it can be as ephemeral as a performance.”

Atehortua, a junior born in Colombia and raised in Englewood, New Jersey, is the first Rutgers student to win a Beinecke Scholarship, and one of only 20 students in the United States to receive one in 2017. 

The Beinecke scholarship is a program of the Sperry Fund and provides substantial scholarships for the graduate education of young men and women of exceptional promise. Each scholar receives $4,000 immediately prior to entering graduate school and an additional $30,000 while attending graduate school.

I think art makes sense of the things we have difficulty finding language for

“This is a real milestone for Rutgers,” says Arthur D. Casciato, director of the Office of Distinguished Fellowships. “The Beinecke is the most thoroughly academic of the major national fellowships. It’s totally committed to people going on to graduate education. Diego impressed me as someone who would be a first-rate graduate student and scholar.”

ID17 Diego Atehortua THREEQUARTERS siloIndeed, Atehortua says, his plan is to become an academic art historian. He already knows where he wants to go – Duke University. He’s particularly drawn to the work of Walter Mignolo, the Argentine social critic and exponent of “decolonial aesthetics,” who is a professor at Duke.

Atehortua wants to study art and culture from a non-Eurocentric perspective, and his time at Rutgers has already given him a chance to do that – at the Aresty Research Center, where he did directed research on 20th-century Latin American art; during a summer internship at the Museo de Antioquia in Medellin, Colombia, where he worked in 

the curatorial department; and, as an assistant to Tatiana Flores, associate professor of art history, helping Flores put together a major exhibition  – Relational Undercurrents: Contemporary Art of the Caribbean Archipelago – for the Museum of Latin American Art in Long Beach, California.

“Professor Flores really took me under her wing,” Atehortua says. “Her congeniality, support, and belief in my potential have helped me see research as my future.”

As Flores tells it, Atehortua came to her already committed to research as a sophomore. “He came up to me in 2015, when he was taking my class, and said he very much wanted to get a Ph.D. in Latin American art,” she remembers. “That was what he wanted to do with his life. I’ve never met an undergraduate student as research-driven as Diego is.”

Atehortua has plunged into the deep weeds of academic research, according to Flores. He has transcribed interviews she did for her research – in English and Spanish. He has been important to her upcoming exhibition. “Simply put, Diego is my right-hand man as concerns this exhibition,” Flores wrote in her letter supporting Atehortua’s nomination for the scholarship.

Having done the hard work of academic research and having confirmed that it’s the life he wants, Atehortua says he’s excited about his future as an art historian. “I think art makes sense of the things we have difficulty finding language for,” he says.

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Laura Leichtman

Major: Art HistoryLeichtman laura photo 6e6b8


How did you decide on your major?

 

What is it about your chosen field (and the department) that appeals to you?

 

What are your other Rutgers activities?

 

What are your plans following graduation?

 

 

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Anna Rogulina

Anna Rogulina web 7d4dc

Anna Rogulina was born in Russia, moved to the United States at age 10, and developed a passion for art history and Russian studies as an undergraduate at Vassar College.

“I pretty much had one foot in each department,” she says.

After earning her bachelor’s degree, and working as an assistant curator, Rogulina felt ready to move more deeply into her field. She wanted to immerse herself in the Russian art that fascinated her, and build the advanced skills to thrive in the art world.

The path led to a doctoral program at the Rutgers University School of Graduate Studies, where she studies under Jane Sharp, a noted scholar of Russian art in the Department of Art History in the School of Arts and Sciences. She also has access to the renowned Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union at the Zimmerli Art Museum.

Rogulina recently curated an acclaimed exhibition that drew from the Dodge collection and shed new light on the work of artists who risked their livelihoods and, in some cases, their lives in challenging the limits set on artistic expression by the Soviet Union.

The exhibition A Vibrant Field: Nature and Landscape in Soviet Nonconformist Art, 1970s-1980s  ran from March 4 through October 1.

The Dodge collection consists of some 20,000 pieces of nonconformist art created between 1956 and 1986 by nearly a thousand artists living in the former Soviet Union.

“There is nothing else like it, not in Russia, not in any other country,” says Rogulina.

She selected about 60 pieces for her show, emphasizing works that present a dark depiction of nature, breaking from the Socialist Realism style approved by the Soviet government, which portrayed life under communism with heroic, optimistic grandeur.

“These are not the idyllic views of nature that the Soviet government would produce in their official imagery,” she says. “My goal was to assemble a breadth of material that explores how artists related to the natural world as it was undergoing tremendous change.”

Bulatov paingting 323bfErik Bulatov’s oil painting, Danger, for example, depicts a peaceful setting in the countryside disrupted by the Russian word for “danger” screaming out in red on all sides.

The title of another painting, Subbotnik, refers to the Soviet tradition of setting aside one day a week for volunteerism, such as community cleanups—an idealistic practice meant to promote socialism through labor. But the devastating painting by Olga Grechina shows two women overwhelmed by mountains of garbage.

Two prints by Vello Vinn, meanwhile, offer a more coded commentary. Rogulina connects the prints to a protest movement in the late 1980s over Moscow’s plan to expand mining for phosphates in northern Estonia. The two prints—one showing Estonia inside a candle and another in an hourglass—suggest that the country is merely a pawn of Moscow, Rogulina says.

“But because Vinn embeds Estonia in vessels that represent time passing, he suggests the possibility of change,” she added.

Rogulina  presented the exhibit to the public in an evening event that drew dozens of students as well as a number of interested spectators from across the region, including Irene Etkin Goldman DC’65, who was a Russian studies major.

“She put together a phenomenal show,” Goldman says. “I’ve seen a lot of these works from the Dodge collection in different exhibits. And I think it’s very hopeful that young people can see something new in them, develop their own ideas, and present fresh perspectives to the public.”

Rogulina worked on the exhibition as a Dodge-Lawrence Fellow, a program that supports graduate students working with the Zimmerli’s Russian and Soviet art collections.

Sharp says the program benefits both students and the public.

“We focus on creating exhibitions that can be shared with the university and the wider public,” Sharp says. "These exhibitions enable students to refine their research interests for their dissertations, while contributing invaluable material and insights into Dodge collection artworks."

Rogulina agrees.

"It’s amazing to be able to pursue my studies with Professor Sharp and have access to this collection,” she says. “It was definitely an opportunity for me to carry out original research on the subject while working directly with the artwork.”. 

The project also served as an indelible lesson in the empowering and redemptive role that art plays in repressive societies.

“These artists and their communities relied on this work for their survival—and their sanity,” Rogulina says. “It really made me reflect on the social experience created through the arts and how it sustains these networks and communities.”

Photo information and credit:

Danger, 1972–73,  oil on canvas, Erik Bulatov, 

Zimmerli Art Museum at Rutgers

Norton and Nancy Dodge Collection of Nonconformist Art from the Soviet Union
© 2016 Artists Rights Society (ARS), New York / ADAGP, Paris
Photo Peter Jacobs

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Sakina Namazi

namazi 1fa90Major: Art History


How did you decide on your major?

 

What is it about your chosen field (and the department) that appeals to you?

 

What are your other Rutgers activities?

What are your plans following graduation?

 

 

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